#gary carp

[mariocki]

Six Plays by Alan Bennett: All Day on the Sands (1.6, LWT, 1979)

"Look at the level of that sauce. Only started yesterday, it's gone down dramatically. I'm under no compulsion to provide sauce. Lathering it on. It's not as if my cooking needed sauce!"

"Make it available on request. Sauce available on request, that'll bring them to a sense of responsibility."

"Wouldn't care, but they go at the salt and pepper like lunatics. You'd think they'd never seen a cruet in their lives."

[sadgoosehours]

We’re stealing Babygirl from Gary Whorley’s terrible Top Gun 2 script, she’s mine now. Anyways she totally resigns from the Navy, becomes a firefighter, adopts a dog, and raises her kid happily away from Sparrow.

[kwebtv]

Martin Eugene Mull (August 18, 1943 – June 27, 2024) Comic actor whose career included contributions as a musician and painter. He became known on Mary Hartman, Mary Hartman, its spin-off Fernwood 2 Night, and America 2 Night. Other notable roles included Colonel Mustard in the 1985 film Clue, Leon Carp on Roseanne, Willard Kraft on Sabrina the Teenage Witch, Vlad Masters / Vlad Plasmius on Danny Phantom, and Gene Parmesan on Arrested Development. He had a recurring role on Two and a Half Men as Russell, a drug-using, humorous pharmacist.

In late 2004 and in 2013's Netflix-produced Season 4, Mull portrayed Gene Parmesan, a private investigator, on the TV series Arrested Development. From 2008 to 2013, he had a recurring role on the show Two and a Half Men as Russell, a humorous drug-using and selling pharmacist. During 2008 and 2009, Mull guest starred in two episodes of the television series Gary Unmarried, as Allison's father. In 2015, he appeared in two episodes of the TV series Community as George Perry, the father of Britta Perry. He also starred in the Fox television sitcoms Dads (2013-14) and The Cool Kids (2018-19), the latter with David Alan Grier, Vicki Lawrence, and Leslie Jordan. In 2016, Mull appeared as guest star in the satirical TV series Veep, a role that earned him an Emmy nomination. His later credits included The Ranch, Brooklyn Nine-Nine, and Bob's Burgers.(Wikipedia)

IMDb Listing

[discluded]

The latest standard pop article refers to Chat and Khem's relationship as a bromance at this rate by the end of this leg of the press tour they will be referred to as brothers 😂

Hey, I'll coalesce these together then, if that's OK. For folks who want to, feel free to use this as a discussion post.

I've had a really long week, I've taken two different cats to the vet since Sunday so I'm not really in the mood to stir up more drama-- but... *makes grand gestures*

1.

I think the initial reaction to Pond's comment might have been overblown in the sense that it should have been something, given Pond's history of saying shit, that could be ignored. I'm perplexed by Man Suang comms account's decision to double down on this by posting the image with "Man Suang is not a bad movie; Man Suang is not a BL". Since most of the account's followers are already MileApo/Man Suang fans, I'm not sure what they were hoping to accomplish with that statement that could easily be taken the wrong way. Pond needs to say less. But I've also given up on analyzing the state of their PR/comms.

2.

It is somewhat telling to me that many people who are upset about Pond's comment and the account's statement and general straight washing of the movie are queer, though specific reactions range from actively angry on social media, quietly angry in closed fannish settings (chat, circle, servers, etc), attempt to placate other fans with empathy, or just apathetic towards the point of disengaging [read: me, due to other stress in my life]

Meanwhile, I haven't seen a single queer person go THEY NEVER PROMISED YOU A BL NEVER SAID THEY'D BE A COUPLE OR QUEER YOU'RE THE ONES WHO MADE THAT ASSUMPTION 🤪 So.

First to that--

Strawberry had shared this translation.

I realized, watching it back, this is what the autocaptioning(?)/Mint translator subbed it with:

I'm not sure if it's the lack of clarity in Thai that can be translated either way or the Mint team's translation is less specific while , but Apo also explicitly discussed that he played Khem as closeted, and it does a disservice to Apo's intentionality for the character to straight-wash the movie.

I think ultimately it depends on how one defines BL. From the classicist (ha!) perspective of the origination, BL has specific target demographic audience and definition.

Let's take these specific notes, with citations in the wikipedia entry itself:

Yaoi also known as boys' love and its abbreviation BL, is a genre of fictional media originating in Japan that features homoerotic relationships between male characters. It is typically created by women for women and is thus distinct from bara (gay manga), a genre of homoerotic media marketed to gay men. "BL" is the common term used to describe male-male romance media marketed to women in Japan and much of Asia, though its usage in the West is inconsistent.

Given these specific definitions, I would actually agree without criticism that Pond is correct that Man Suang is not a BL in the same way it takes me out when people call CMBYN a BL because that is not its genre/target demographic. I would agree Man Suang is more arthouse film like CMBYN or Carol or Moonlight, or if we're going back farther, more popluarist like LOTR or Memoirs of a Geisha or Crouching Tiger. Of course these might be different genres, but idea of a popularist film is mean to be watched by everyone, not pushed to a specific demographic (vs. for example, Marvel which is marketed towards boys and young men, but is watched by the general public.)

Similarly, back to the origins of the BL genre, queer romances and queer main characters are not solely limited by the genre of BL. Even aside from Bara, there is Josei as a genre where notable works include Sakura Gari by Yu Watase (author of Fushigi Yugi and Ceres Celestial Legend) and The Carp on the Chopping Block Jumps Twice / The Cornered Mouse Dreams of Cheese. In Seinen, there is My Brother's Husband (the mangaka is a very famous Bara author). If you haven't heard of these, that's fine, but I'm serious about how much extensive understanding I have about the delineation about the nuances of what is "technically" BL and what isn't.

There is a disconnect in the audience's definition and what BOC is trying to communicate, and that's why friction is occurring.

That being SAID, AND VERY IMPORTANTLY, let's again recognize that the definition is about the target audience being young women, and the insistence and tone of which the marketing is pushing how it's NOT for the BL audience (young women) but to everyone is quite boldly misogynist for a company that built its foundation on female consumers. Its tone is overtly that something which is made for young women is somehow inherently "not good", the same way that romcoms are somehow less valuable as art, or boy bands or handsome young singers like Justin Bieber are less talented musicians because of its target audience.

So yes, I do have a problem with the tone they're taking and I think the biting the hand that feeds it comment is spot on.

3.

Finally, about Apo tweeting and deleting. I think he held and articulated himself well in interviews, and he's been insanely patient and tolerant these past few weeks (see: laris). I actually really relate to him in that sense because I can be calm and rational but sometimes I can't help but run my mouth. I held off on answering these because I've been so stressed and just couldn't handle whatever anger it might rile up.

Expecting someone to hold their temper 100% of the time is impossible even if they manage it 99% of the time. I've also tweeted angry things I've deleted in minutes later too. And I understand his perspective in not wanting to be limited to the genre or audience of the art he creates. So Apo's (valid and expected) reaction is understandable.

--

If it's okay, I'll probably not answer any more asks about this topic for probably a while. I have some other family stuff going on (not-cat family) and I just can't deal with people who don't have to be in my life causing this nonsense while I also have to deal with people (and cats) I can't get rid of attachments to also having stuff going on.

[smashpages]

Out this week: K Is In Trouble (Little Brown Ink, $13.99): 

Gary Clement writes and draws this graphic novel about a kid named K who always gets into trouble, whether he deserves it or not. “No matter what he does or says, it seems there is someone ready to blame him for everything. K is in trouble for going to school. K is in trouble for staying home. K is in trouble for running an errand, getting sick, or just being thirsty. K gets into trouble with imperious crows, persnickety station agents, bombastic teachers, his own classmates… even one nice fresh carp.” I think we all know how you feel, K.

See what else is coming to a comic shop near you this week.

[m1totoberitanew]

Gold Carp Bonanza

Bahasa Indonesia: Sepertinya Pragmatic Play dan partnernya dalam kejahatan, Reel Kingdom, sudah cukup memancing ikan bass untuk saat ini. Sebaliknya, duo ini memilih Carp sebagai ikan pilihannya dalam kolaborasi terbaru mereka, Gold Carp Bonanza . Sekarang, saya tidak pernah tertarik memancing, jadi saya tidak bisa memberi tahu Anda perbedaan antara kedua ikan tersebut atau teknik yang digunakan untuk menangkapnya. Namun, saya telah memainkan banyak slot dalam rangkaian slot Big Bass, jadi saya cukup yakin kita dapat menantikan Simbol Ikan dengan hadiah uang tunai instan yang dikumpulkan saat simbol kumpulkan muncul. Mari kita cari tahu saat saya mengulas Gold Carp Bonanza, slot 5x3 dengan 10 garis pembayaran, RTP 96,71%, dan kemenangan maksimum taruhan 2.100x. 

Seperti yang diharapkan, simbol uang ikan terlibat, dan pada Gold Carp Bonanza, simbol ini dapat memberikan hadiah instan hingga 2.000x taruhan. Namun, Anda hanya dapat memenangkannya setelah mendapatkan tiga atau lebih simbol scatter dan memicu bonus putaran gratis. Setiap kali simbol Fisherman Wild/Collect muncul pada putaran yang sama dengan hadiah ini, hadiah tersebut akan dikumpulkan dan dibayarkan. Lebih jauh lagi, mengumpulkan simbol wild/collect tersebut akan membuka putaran tambahan dan meningkatkan pengganda kemenangan uang hingga 10x.

LINK GACOR M1TOTO : Klik di sini

[toto7788site12]

Gold Carp Bonanza

Gold Carp Bonanza adalah permainan slot bertema ikan dan keberuntungan yang menggabungkan visual yang cerah dan fitur bonus menarik. Permainan ini menawarkan gameplay dengan elemen-elemen khas slot bertema keberuntungan, dengan simbol ikan emas dan keberuntungan yang memicu berbagai fitur khusus untuk meningkatkan peluang kemenangan. Berikut adalah cara bermain Gold Carp Bonanza dan penjelasan fitur-fiturnya:

1. Pahami Fitur Utama

Gulungan dan Baris: Gold Carp Bonanza biasanya memiliki 5 gulungan dan 3 baris simbol, yang merupakan format umum untuk permainan slot modern.

Paylines: Slot ini biasanya memiliki sejumlah paylines tetap, yang mengatur cara Anda bisa memenangkan hadiah. Pembayaran dilakukan dengan mencocokkan simbol-simbol tertentu pada garis-garis ini.

Simbol: Simbol utama termasuk ikan emas, simbol kartu remi (A, K, Q, J, 10), dan berbagai simbol bertema keberuntungan seperti koin, teratai, dan barongsai.

2. Menentukan Taruhan

Anda dapat memilih nilai taruhan sesuai dengan anggaran Anda. Ada pengaturan level taruhan dan jumlah koin yang dapat dipilih.

Auto-Spin juga biasanya tersedia, memungkinkan Anda untuk mengatur permainan otomatis tanpa harus menekan tombol putar setiap kali.

3. Fitur Utama dalam Gold Carp Bonanza

Simbol Wild: Seperti banyak slot lainnya, simbol Wild menggantikan simbol lain untuk membantu membentuk kombinasi pemenang. Wild ini sering kali membantu menciptakan kemenangan lebih mudah.

Simbol Scatter: Scatter memicu fitur Free Spins atau bonus lainnya. Jika Anda mendapatkan sejumlah Scatter yang cukup pada gulungan, Anda akan memicu putaran gratis atau fitur bonus khusus lainnya.

Fitur Free Spins: Dalam Gold Carp Bonanza, Anda akan mendapatkan putaran gratis ketika mendapatkan simbol Scatter tertentu pada gulungan. Selama putaran gratis, kemenangan seringkali lebih tinggi karena adanya fitur pengali atau simbol khusus.

Pengali (Multiplier): Beberapa versi dari Gold Carp Bonanza juga dilengkapi dengan Multiplier, yang meningkatkan nilai kemenangan. Misalnya, jika Anda menang selama putaran gratis, multiplier dapat menggandakan kemenangan Anda dengan jumlah yang signifikan.

Fitur Bonus: Beberapa versi permainan dapat menampilkan Fitur Bonus yang dipicu oleh simbol tertentu, yang memberi pemain kesempatan untuk mendapatkan kemenangan lebih besar, misalnya dengan memilih hadiah dari beberapa pilihan atau mengaktifkan roda keberuntungan.

[toto7788site16]

Gold Carp Bonanza

Gold Carp Bonanza adalah permainan slot bertema keberuntungan dan kemakmuran, dengan simbol-simbol yang terinspirasi dari budaya Asia, seperti ikan mas, koin emas, dan berbagai elemen keberuntungan lainnya. Jika Anda ingin bermain slot Gold Carp Bonanza, berikut adalah cara bermain dan beberapa tips untuk memaksimalkan pengalaman Anda.

1. Kenali Interface Game

Reels dan Paylines: Seperti kebanyakan slot, Gold Carp Bonanza biasanya memiliki 5 gulungan dan sejumlah garis pembayaran (paylines). Pastikan Anda memahami jumlah garis pembayaran yang aktif untuk mengoptimalkan peluang menang.

Simbol: Simbol utama dalam game ini adalah ikan mas (karp), yang sering kali berhubungan dengan keberuntungan dan kemakmuran dalam budaya Asia. Simbol lain mungkin termasuk koin emas, kelapa, dan simbol keberuntungan lainnya.

Simbol Wild dan Scatter: Simbol Wild menggantikan simbol lain untuk membantu membentuk kombinasi kemenangan, sedangkan simbol Scatter biasanya memicu fitur putaran gratis atau bonus lainnya.

2. Atur Taruhan

Nilai Koin: Anda dapat mengatur nilai koin atau jumlah taruhan untuk setiap putaran.

Jumlah Garis Pembayaran (Paylines): Beberapa versi permainan memungkinkan Anda untuk memilih berapa banyak garis pembayaran yang ingin diaktifkan. Semakin banyak garis yang aktif, semakin besar peluang menang, tetapi taruhan per putaran akan lebih tinggi.

Taruhan Maksimal: Pastikan untuk mengetahui batas taruhan maksimal jika Anda berniat untuk mengejar jackpot besar.

3. Putar Reel

Tekan tombol Spin untuk memulai putaran dan melihat apakah Anda mendapatkan kombinasi simbol yang menang.

Beberapa game slot juga memiliki fitur Auto Spin, yang memungkinkan Anda mengatur sejumlah putaran otomatis tanpa perlu menekan tombol spin secara manual.

4. Fitur Bonus

Putaran Gratis (Free Spins): Mendapatkan sejumlah simbol Scatter akan memicu fitur putaran gratis, di mana Anda bisa mendapatkan sejumlah putaran tanpa perlu menambah taruhan.

Pengganda (Multiplier): Beberapa permainan slot menawarkan pengganda yang meningkatkan kemenangan Anda pada putaran tertentu, terutama dalam fitur bonus atau putaran gratis.

Mini-Games: Fitur bonus bisa termasuk mini-game yang memberikan hadiah lebih besar.

5. Pahami Tabel Pembayaran

Setiap game slot memiliki tabel pembayaran (paytable) yang menunjukkan nilai masing-masing simbol dan kombinasi yang memberikan pembayaran tertinggi.

Simbol yang lebih tinggi nilainya biasanya membutuhkan kombinasi tertentu di garis pembayaran untuk memberikan kemenangan besar.

6. Kelola Anggaran Anda

Tentukan anggaran bermain sebelum memulai. Pastikan untuk berhenti bermain jika Anda sudah mencapai batas yang Anda tentukan.

Jangan tergoda untuk terus meningkatkan taruhan tanpa mempertimbangkan saldo Anda, karena slot sering kali memiliki volatilitas tinggi.

7. Nikmati Fitur Visual dan Suara

Slot Gold Carp Bonanza sering kali menawarkan grafik yang cerah dan efek suara yang menenangkan, menciptakan atmosfer yang menyenangkan selama bermain.

[toto7788site]

Gold Carp Bonanza

Gold Carp Bonanza adalah permainan slot yang dikembangkan oleh Pragmatic Play, yang menampilkan tema bertema keberuntungan dan simbol-simbol khas budaya Asia, dengan ikan mas (carp) sebagai simbol utama. Ikan mas dalam budaya Asia sering dianggap sebagai simbol keberuntungan, kekayaan, dan kemakmuran, menjadikannya tema yang populer dalam banyak permainan slot.

Gold Carp Bonanza menawarkan pengalaman bermain yang seru dengan desain grafis yang cerah dan berbagai fitur bonus yang dapat memberikan peluang besar untuk menang. Berikut adalah informasi lengkap tentang cara bermain, simbol, dan fitur-fitur dalam Gold Carp Bonanza.

1. Pengenalan Tampilan dan Simbol-Simbol

Gold Carp Bonanza memiliki desain bertema Asia dengan elemen-elemen yang mewakili kekayaan dan keberuntungan. Beberapa simbol utama dalam permainan ini adalah:

Simbol Ikan Mas (Gold Carp): Ikan mas adalah simbol utama yang paling bernilai dalam permainan ini, dan sering kali menjadi simbol wild atau simbol yang memicu fitur bonus.

Simbol Wild: Biasanya simbol wild dapat menggantikan simbol lain untuk membantu Anda membentuk kombinasi pemenang. Dalam beberapa game, simbol wild juga dapat memiliki pengganda.

Simbol Scatter: Simbol scatter biasanya memicu fitur putaran gratis (free spins) jika muncul dalam jumlah tertentu pada gulungan.

Simbol Kartu: Seperti biasa dalam banyak slot bertema Asia, simbol-simbol kartu seperti A, K, Q, J, dan 10 biasanya muncul dengan nilai pembayaran yang lebih rendah.

2. Cara Bermain Gold Carp Bonanza

Untuk memulai permainan di Gold Carp Bonanza, ikuti langkah-langkah berikut:

Setel Taruhan: Sebelum memutar gulungan, Anda perlu memilih jumlah taruhan per putaran. Anda dapat menyesuaikan taruhan dengan mengklik tombol "+" dan "-" di bagian bawah layar. Sesuaikan taruhan dengan anggaran yang Anda miliki.

Putar Gulungan: Setelah Anda menetapkan taruhan, klik tombol putar untuk memulai permainan. Gulungan akan berputar, dan kombinasi simbol akan muncul di gulungan. Kemenangan dihitung berdasarkan kombinasi simbol yang cocok di garis pembayaran.

Autoplay: Jika Anda ingin permainan berjalan secara otomatis tanpa perlu menekan tombol putar setiap kali, aktifkan fitur autoplay untuk memilih sejumlah putaran otomatis.

3. Fitur-Fitur Bonus dalam Gold Carp Bonanza

Gold Carp Bonanza menawarkan beberapa fitur bonus menarik yang bisa meningkatkan peluang Anda untuk menang besar. Berikut adalah beberapa fitur utamanya:

Fitur Free Spins (Putaran Gratis):

Fitur putaran gratis dapat diaktifkan dengan mendapatkan 3 atau lebih simbol scatter pada gulungan. Jumlah simbol scatter yang muncul akan menentukan berapa banyak putaran gratis yang Anda dapatkan.

Selama putaran gratis, Anda mungkin bisa mendapatkan lebih banyak simbol wild atau pengganda, yang akan meningkatkan peluang Anda untuk meraih kemenangan besar.

Simbol Wild:

Ikan Mas Emas (Gold Carp) berfungsi sebagai simbol wild dalam permainan ini. Simbol wild dapat menggantikan simbol lain untuk membantu membentuk kombinasi pemenang. Selain itu, beberapa game seperti ini mungkin memberikan pengganda pada kemenangan yang dihasilkan oleh simbol wild.

Fitur Pengganda (Multipliers):

Banyak permainan slot bertema Asia seperti Gold Carp Bonanza menampilkan pengganda yang bisa diterapkan pada kemenangan selama fitur bonus atau putaran gratis. Pengganda ini dapat meningkatkan nilai kemenangan Anda secara signifikan.

Bonus Pick Me atau Mini Game:

Beberapa versi Gold Carp Bonanza memiliki fitur bonus interaktif seperti memilih simbol untuk mengungkapkan hadiah tambahan atau mini-game yang memberi kesempatan untuk memenangkan hadiah ekstra.

4. Kemenangan dan Pembayaran

Kemenangan dalam Gold Carp Bonanza dihitung berdasarkan kombinasi simbol yang muncul pada gulungan. Game ini biasanya memiliki beberapa paylines (garis pembayaran), yang berarti Anda memiliki banyak cara untuk menang.

Paylines: Menyusun kombinasi simbol yang sesuai dari kiri ke kanan pada garis pembayaran akan memberi Anda kemenangan.

Simbol Bernilai Tinggi dan Rendah: Simbol ikan mas (gold carp) biasanya adalah simbol dengan pembayaran tertinggi, sedangkan simbol kartu seperti A, K, Q, dan J memberikan pembayaran yang lebih rendah.

[kwebtv]

The Cleopatras - BBC Two - January 19, 1983 - March 9, 1983

Historical Drama (8 episodes)

Running Time: 60 minutes

The Cleopatras:

Michelle Newell as Cleopatra III and Cleopatra VII

Elizabeth Shepherd as Cleopatra II

Caroline Mortimer as Cleopatra Thea

Prue Clarke as Cleopatra Selene

Sue Holderness as Cleopatra IV

Pauline Moran as Cleopatra Berenike

Amanda Boxer as Cleopatra Tryphaena, Queen of Syria

Emily Richard as Cleopatra Tryphaena, Queen of Egypt

Francesca Gonshaw as Arsinoe IV

The Ptolemies:

Richard Griffiths as Potbelly

David Horovitch as Chickpea

Daniel Beales as Ptolemy XIII

Adam Bareham as Fluter

Lauren Beales as Ptolemy XV

Gary Carp as Eupator

Graham Seed as Ptolemy

Sadik Soussi as Memphites

Ian McNeice as Alexander

David Purcell as Alexander the Younger

Shelagh McLeod as Berenike IV

Francesca Gonshaw as Princess Arsinoe

Graham Crowden as Theodotus

Romans:

Robert Hardy as Julius Caesar

Christopher Neame as Mark Antony

Geoffrey Whitehead as Scipio Africanus

Donald Pickering as Lucius Licinius Lucullus

Phillip Cade as Gnaeus Pompey

Rupert Frazer as Octavian

Manning Wilson as Cicero

Godfrey James as Cato

Matthew Long as Ahenobarbus

Graham Pountney as Archelaus

Patrick Troughton as Sextus

Karen Archer as Octavia

The Seleucids:

Stephen Greif as Demetrius

James Aubrey as Grypus

Nicholas Geake as Seleucus

Colin Higgins as Seleucus

Donald MacIver as Alexander Zebinas

Granville Saxton as Cyzicenus

[zikriedwan]

Rekomendasi Carpet Gelanggang Badminton PALING BERKUALITAS!!!

Rekomendasi Carpet Gelanggang Badminton KLIK https://wa.me/6281318883437, Mau tau informasi lengkap tentang Karpet Lapangan Badminton Yonex, Karpet Badminton Surabaya, Karpet Gelanggang Badminton, Karpet Badminton Jakarta, Karpet Badminton Lining

Bahan Carpet Gelanggang Badminton

Lantai lapangan bulu tangkis yang dibuat dari bahan karpet sintetis sering disebut dengan porta court. Karpet sintetis yang sering digunakan dalam ajang bulu tangkis resmi terbuat dari bahan vinyl.

Spesifikasi Carpet Gelanggang Badminton

1 lapangan 4 roll dan 1 roll ukuran ( 1.8m x 15m ) dan tentu dalam luas satu lapangan 108m2 dan tentu sudah termasuk material pemasangan karpet badminton.

Material Pendukung untuk lapangan badminton yakni :

1 welding rood

Include Jasa Pemasangan Karpet Badminton

Perlu diperhatikan produk yang kami hanya produk original yang tentu nya dengan produk vinyl lapangan badminton yang bagus dan berkualitas tinggi maka dianjurkan anda bisa tanya mengenai informasi seputar karpet lapangan bulutangkis disini.

Pengiriman Menggunakan Pick up untuk 1 lapangan karena bobot yang sangat berat per roll nya.

Sebelum Anda Membeli diHaruskan Untuk Mengetahui Terlebih Dahulu Penjelasan Kami dari Barang dikirim Hingga Pada Proses Pemasangan Karpet lapangan badminton agar kondisi yang akan anda terima sudah jadi terpasangan dan juga siap digunakan di gor lapangan bulutangkis yang anda miliki.

Dan Kami Juga menerima skala pemesanan besar seperti sekali order dengan jumlah 10 lapangan badminton atau lebih dan siap kirim ke seluruh wilayah Indonesia dan sekitar nya.

Jenis Carpet Gelanggang Badminton

Ada beberapa jenis karpet badminton yang terkenal dan juga kami sediakan, diantaranya Carpet Gelanggang Badminton Flypower, Yonex, Lining, Alite. Merk merk tersebut terkenal memiliki harga yang cukup mahal sehingga anda bisa mempertimbangkan merk lain untuk menyesuaikan budget yang anda miliki. Merk karpet badminton lain contohnya Alite, Benow, Enlio.

Keunggulan Carpet Gelanggang BadmintonSintetis Untuk Bulu Tangkis

Bahan karpet sintetis dari vinyl sangat fleksibel untuk digulung dan pasang ulang di tempat yang datar. Selain itu, karpet sintetis lapangan dari vinyl punya daya cengkeram yang kuat sehingga tidak licin untuk sepatu badminton.

Keunggulan vinyl lainnya adalah mampu menyerap pantulan cahaya dari atas atau berbagai sisi lainnya. Sehingga, pemain tidak merasa silau ketika bertanding. Dalam ajang resmi BWF, warna karpet sintetis lapangan bulu tangkis bisa berbagai macam mulai dari hijau, biru, dan merah.

Ukuran Lapangan Bulu Tangkis Tunggal Panjang garis lapangan permainan bulu tangkis dalam partai tunggal adalah 13,40 meter Lebar bidang permainan: 5,18 meter Panjang bidang penerima servis: 4,72 meter Lebar bidang penerima servis: 2,59 meter.

Ukuran Lapangan Bulu Tangkis Ganda Panjang bidang permainan: 13,40 meter Lebar bidang permainan: 6,10 meter Panjang bidang penerima servis: 3,96 meter Lebar bidang penerima servis: 3,05 meter.

Ukuran Carpet Gelanggang Badminton

Ukuran yang diperlukan yaitu 7,5meter x 14,5meter untuk keseluruhan pasang 1 lapangan badminton.

Perbedaan produk 4.5mm dan Lining 5mm?

Tentu perbedaannya sangat jauh karena produk 4.5mm ketebalan dari spesifikasinya lebih tipis ketimbang 5mm dan produk Lining Original lebih unggul dari motif karpet badminton serta ketahanannya.

Cara Pasang Carpet Gelanggang Badminton

Tak Membutuhkan Waktu Lama untuk Melakukan Pemasangan Carpet Gelanggang Badminton

Untuk bisa menyelesaikan pemasangan Carpet Gelanggang Badminton, kami hanya membutuhkan waktu kurang lebih 4 jam saja sampai benar-benar selesai dan langsung bisa anda gunakan. Tak perlu khawatir, kecepatan yang kami tunjukkan tersebut bisa dipertanggung jawabkan. Karena dari segi pengerjaan sangatlah rapi dan terjaga kualitasnya. Hal ini dipengaruhi oleh semua pekerja yang melakukan pengerjaan adalah tenaga ahli, profesional dan berpengalaman di bidangnya.

Cara Pasang Carpet Gelanggang Badminton

Beberapa proses pemasangan yang wajib anda ketahui agar anda puas dengan kinerja kami, antara lain: 1. Lakukan Konsultasi Terlebih Dahulu Proses pemasangan karpet lantai bulutangkis diawali dengan melakukan konsultasi terlebih dahulu agar kami tahu apa kebutuhan dan keinginan anda sehingga kami bisa memberikan solusi terbaik atas masalah yang mungkin dialami.

2. Pengecekan Area yang Akan Dipasang Pengecekan tempat dilakukan untuk mengetahui seberapa sulit medan yang akan kami kerjakan sehingga sudah bisa diantisipasi sejak dini. Dengan memahami medan, proses pengerjaan pun bisa berjalan dengan lancar.

3. Pemilihan Bahan yang Tepat Selanjutnya pemilihan bahan yang tepat harus diperhatikan agar hasilnya sesuai dengan keinginan dan bisa meningkatkan kenyamanan saat bermain bulutangkis. Anda bisa memilih sendiri ataupun mengikuti rekomendasi dari tim kami. Pilihan bahannya antara lain:

Crystal Sand

Gems

Training Gems

Training Crystal Sand

Snake Skin

Liche

Coral

4. Proses Pengerjaan Pengerjaan dilakukan dengan membuat rencana kerja terlebih dahulu. Jika semua persiapan sudah selesai dilakukan, pengaplikasian langsung ke tempatnya akan segera kami lakukan sesuai dengan jadwal yang sudah disepakati. Dalam waktu kurang lebih hanya 4 jam saja, kami akan segera menyelesaikan lapangan bulutangkis yang anda pesan.

5. Quality Control Tahapan terakhir yang akan tim kami lakukan adalah dengan melakukan pengecekan final (Quality Control) untuk memastikan tidak terjadi masalah pada karpet lapangan badminton yang kami kerjakan. Selain itu anda juga akan mendapatkan garansi selama 30 hari khusus untuk bagian sambungan yang terlepas atau pun rekatan yang tidak sempurna.

Cara pasang karpet lapangan bulutangkis di atas yang sudah memenuhi standar internasional tentu akan membawa keuntungan bagi anda. Segera pesan dan buktikan sendiri kualitasnya.

Daftar Harga Carpet Gelanggang Badminton

Harga Carpet Gelanggang Badminton 1 Roll : Rp 6.050.000,-

Harga Carpet Gelanggang Badminton Murah 1 Lapangan Badminton : Rp 24.000.000,-

Harga Carpet Gelanggang Badminton Merah 1 Roll : Rp 6.100.000,-

Yuk Kenalan dengan Kontraktor Futsal Indonesia https://www.kontraktorfutsalindonesia.com/

Untuk Lokasi kami ada di https://goo.gl/maps/jFCguo1xhi2RBTth9

[whatisonthemoon]

Philippine Members Assigned to Serve “VIPs”

The Unification Church has been criticized in the Philippines for the ways its pursues influential figures, especially military and government figures, paying them to speak at or even attend their conferences, and assigning them volunteer assistants. This was a similar strategy to the Unification Church in Japan and the early Unification Church in DC. 

The following was written by a Philippine member Irma Balulot in 2009 regarding the VIP Providence, all bolding added for emphasis:

The work of God started from God. Yes, people are critical, but the beginning and the end of it all is God. Now it is fully manifested in the True Love, True Life and True Lineage of True Parents, despite some confusion, God's Will is done.

The claim that there is a lack of capable leaders in the Philippine Movement is self-serving, especially if it comes from a leader.

The VIP providence in the Philippines did not start 10 years ago -- it started 20 years ago with Mr. Murotani, Phillip Schanker, Gary Fleischman, Gerry Servito, Roger Johnstone and Ulrich Volkel.

Assisting those very sincere and hardworking elder members were the very capable Dolor Benitez for PWPA, Joy Pagaran Theriot for CARP, Jacob Amamio for the Medical Team and me for CAUSA. We were not alone though, there were countless members who toiled and served VIPs so that we can touch their lives and we become the living witness to the trueness of the Divine Principle and of True Parents.

In mid 1990s, I was again one of those members who were with the Kims in breaking headways for the VIP activities. Yet, none of us ever have the courage to claim that the VIPs now are there because of us. Or because they saw Gen Magsino, Gen Bumanglag and Gen Canatoy, who were in the forefront of the VIPS at that time. Why? Because the most painful path are those of the members who needed to raise funds to support the activities -- led by Romy Nuyana and Jun Basuil. The members from the provinces who need to be herded to Manila in order to support the VIP providence. The nameless members all over the world from whose sweat and blood the money to support the activities were drawn from. All of these, without which nothing would move.

Did the providence stop when these people disappeared from HQ? No, why?

Because at the core of all this is that all of our efforts are our offering to Heaven. God Himself will continue the work through those who sincerely serve Him and True Parents.

So personally for me, it is highly preposterous for anybody at all to make a claim that what is now seen in the Philippine Movement is only because of a few. Worse, what is seen now may not even be true. Take away the overflowing money and see what will be left.

Another issue is what type of leadership and management have they done if it is indeed true that it is only them who could handle all the different management functions?. In organizational study, if troubleshooting is always needed, that means there is no management, no leadership.

Jun Basuil is highly capable to lead the movement. Also, give positions of leadership to young members -- they might even do a better job than many of us could do.

Let us start again in humbly bringing offering to God, True Parents and True Children.

Merry Christmas to all!

Sincerely,

Irma

[darkangelfirefighter69]

🖤 Carpe Diem ❤️‍🔥

[mariocki]

Play for Today: The Evacuees (BBC, 1975)

"It wasn't German, it was Yiddish!"

"It's the same thing!"

"It never is, is it mam?"

"All the Yiddisher talk Yiddish, that's why they're Yiddisher."

"It's German!"

"So it's German! Does that make it German?"

[fatehbaz]

hope these might be interesting. round 1. round 2:

Titles and short descriptions below:

-- The Platypus and The Mermaid: And Other Figments of the Classifying Imagination (Harriet Ritvo -- 1998 -- The Victorian-era craze for taxonomic classification, dichotomies, human-animal separations, monsters, and hierarchization of animals among formal institutions, naturalists, Euro-American scientists, etc. Showmen, media, scientific professionals, and folk cultures vying to establish hierarchies and definitions of life through language and animal-naming systems.)

-- An Ecology of Knowledges: Fear, Love, and Technoscience in Guatemalan Forest Conservation (Micha Rahder -- 2020 -- Human and other-than-human relationships, multitude of knowledge systems vs. monoculture of knowledge, the tension and negotiation between multiple coexisting “ways of knowing the world,” and conflicts involving dispossession, extractivism, state violence, Euro-American conservation groups, and local Indigenous people in the Maya Biosphere region of Guatemala.)

-- Tropical Freedom: Climate, Settler Colonialism, and Black Exclusion in the Age of Emancipation (Ikuko Asaka -- 2017.)

-- Radical Botany: Plants and Speculative Fiction (Natania Meeker and Antonia Szabari -- 2019 -- “Imagining new worlds” in contrast to modernity, dualism, and rigid distinctions and hierarchies between human and other-than-human by engaging with plant lifeforms.)

-- Trash Animals: How We Live with Nature’s Filthy, Feral, Invasive, and Unwanted Species (Edited by Kelsi Nagy and Phillip David Johnson  -- 2013 -- Uncomfortable or unsettling interspecies relationships; includes writing on wolves, carp, rattlesnakes, pigeons, etc.)

-- Singing the Turtles to Sea: The Comcaac (Seri) Art and Science of Reptiles (Gary Paul Nabhan -- Comcaac relationship with reptiles of the Sonoran Desert and Gulf of California.)

-- Colonial Botany: Science, Commerce, and Politics in the Early Modern World (Edited by Londa Schiebinger and Claudia Swan -- Anthology of articles/essays about the central role of plantations in imperialism and the role of botanists as “agents of empire”, edited by one of the field’s most respected scholars, Schiebinger.)

-- Zoontologies: The Question of the Animal (Edited by Cary Wolfe -- 2003 -- Collection of a few essays about the boundaries and borderlands between the animal and the human.)

-- No Species Is An Island: Bats, Cacti and Secrets of the Sonoran Desert (Theodore Fleming -- 2017 -- Text and illustrations exploring the decade-long research into nighttime lives of bats, moths, and cacti in the Sonoran Desert. With info about the relationship between moths and senita cactus, and the essential role of long-nosed bats in pollinating cacti.)

-- A World of Many Worlds (Edited by Marisol de la Cadena and Mario Blaser -- 2018 -- Anthology from multiple scholars about different conceptions of ecology/the cosmos and the tension between Indigenous and Euro-American scientific ways of knowing, with extra focus on multispecies worlding/ways of knowing from Latin America.)

-- Images of Animals: Anthropomorphism and Animal Mind (Eileen Crist -- 1999 -- How language and animal-naming conventions are not innocent or neutral; how language used to describe animals and their experience can deny the sentience of, autonomy of, or compassion for other-than-human creatures.)

-- The Earth on Show: Fossils and the Poetics of Popular Science, 1802-1856 (Ralph O’Connor -- 2007 -- Fun look at how the storytelling, showmanship, and display of dinosaur and Pleistocene fossils in Europe and the US reinforced existing colonial/hierarchical narratives about “progress” and had a heavy influence on how media and pop-sci disc0urses have framed science, deep time, climate change, and natural history ever since.)

-- Centering Animals in Latin American History (Edited by Martha Few and Zeb Tortorici -- 2013 -- Collection of articles/essays from multiple scholars “seeking to include” other-than-human creatures as “social actors in the histories” of “colonial and postcolonial Latin America” including writing on dog funerals, use of animal in colonization campaigns, the commodification of animals, and animals in political symbolism.

-- Unfreezing the Arctic: Science, Colonialism, and the Transformation of Inuit Lands (Andrew Stuhl -- 2016.)